Review: Sucker Punch

Sucker Punch is a live-action anime with pretty actresses in sexy cosplay taking down samurai monsters, dragons, robots, medieval knights and even the Nazis. It has most of the right elements to indicate a fun time at the movies, but all it got were lacklustre reception at the box office and poor reviews from a majority of critics instead.

As a movie for the masses, it is a failure, primarily because the filmmakers opted for a tone that is a little too bleak and depressing, despite its PG rating. The lead, played by Emily Browning, who starred in Lemony Snicket's A Series of Unfortunate Events, goes through another series of unfortunate events in Sucker Punch. She escapes the clutches of an abusive stepfather, only to accidentally kill her own sister, which lands her in a nightmarish asylum surrounded by constant threats of sexual abuse or lobotomy, which she re-imagines in her mind as a brothel-cum-burlesque-club. Not exactly the kind of stuff you expect in a blockbuster movie.

Wait a second, you say. How exactly does all the crazy anime stuff come in? In order to "escape" some of her sordid predicaments, she dreams up an elaborate fantasy world where she and her asylum inmates are mercenaries with exceptional skills in gunplay and martial arts; at times a combination of both. It is in these sequences where the movie really shines, as director Zack Snyder shows great relish in mimicking John Woo's gun-fu without constantly shaking the camera. (There was one particularly noteworthy awesome use of an assault rifle.) Such qualities are so rare in action sequences nowadays that I easily soften up to any movies with great action, even if they don't deliver quality stories. See Mortal Kombat, Dead or Alive, the Resident Evil movies, etc.

I think what Snyder was trying to do here is to create an action movie with hot chicks and a little bit more substance than is usually associated with the genre. However, I don't think the seriousness and dark elements go well with the Hong Kong-anime-hybrid-style, but it's no more subversive than any Quentin Tarantino films. The problem lies in the management of expectations. If Snyder had marketed his movie as a homage to exploitation flicks or even as an unapologetic action flick, I believe the backlash wouldn't have been as bad. Personally, I would have dumped the "real world" elements entirely and go for an all-out fantasy setting, throw in some much-missed humour, and the traditional action flick one-liners, of course.

Great if you have a predisposition towards action chicks.
Better, if you're a fan of Jena Malone (a.k.a. "Rocket").
Not so great if you hate dark, depressing movies.

Review: Source Code

Source Code is the kind of brainy science fiction movie that is best enjoyed while knowing as little as possible about the movie. Directed by Duncan Jones, who did another good sci-fi, Moon, Source Code is about a man who finds himself waking in a body of another man and reliving the man's last eight minutes of his life, over and over again. The plot involves finding out why this is all happening. If you have seen Groundhog Day, this movie is similar to that one, but with more explosions. Though that usually means the movie has been "dumbed down" for the masses who can't take anything more intellectually challenging than Transformers 3, thankfully it isn't. A good thriller with a fairly smart and emotional story, supported by a good cast of actors. I truly enjoyed this one. Recommended.


Format: DVD, anamorphic widescreen.
Source: Rental (Arts Brother, Jurong Point 1 Level 3)

Experience: Home, 47-inch LCD with home theatre surround system
Cost: FREE (a reward from Arts Brother's prepaid rental package)

Review: Rise of the Planet of the Apes

I had no hope that this movie would work, until I saw the reviews, which were unexpectedly very positive. Like X-Men: First Class, Rise of the Planet of the Apes (ROTPOTA) is a 'prequel' to the 40-plus-year-old Planet of the Apes. Not a familiar movie to these parts of the world, but familiar with most Americans and considered a science fiction milestone by some. A prequel of a decades-old movie that lacks familiarity, ROTPOTA was destined to fail. Thus, it was a pleasant surprise to find a rousing (no pun intended), heartwarming tale of a genetically intelligent simian who would eventually become the catalyst to the events in the original movie. It's a simple story that relies a lot on performance and direction, and here all of it worked amazingly, even the ape CG. A little bit of Lassie, King Kong 2005, 28 Days Later, and The Great Escape (or Prison Break for you young fellas), the best big movie of 2011 so far. Really!

Review: Cowboys and Aliens

An OK Western science fiction hybrid from the director of Iron Man and Zathura, the best thing about it is having James Bond and Indiana Jones occupying the screen together. The title suggests a gimmicky, pandering-to-the-masses type of movie, but instead surprises with its serious tone and gritty, sweaty portrayal of the American Old West. This is one instance where a movie could have done with a little more humour and cheese. Nevertheless, the movie still manages to squeeze in cowboys, aliens, spaceships, ray guns, Paul Dano and Sam Rockwell. The story is also rather vanilla and straight. I would have preferred a "what if The Man With No Name fought aliens" movie where bounty hunters actually hunts aliens in the Old West. Cowboys and Aliens played it a bit too safe, I felt.

Violence: A bit too much blood and bludgeoning for the kids.

Sex: None, unless a brief shot of someone's buttocks counts.

Saw it at: Golden Village Jurong Point on a weekday

Cost: $8 for two tix, using GV's Buy 1 Get 1 Free member's birthday special

Review: Harry Potter and the Deathly Hallows, Part I

Harry Potter and the Deathly Hallows, The Movie is brilliant - brilliant in squeezing every last cent out of fans and moviegoers by splitting into two parts. I can't think of another good reason for doing that. I have not read the book, which is supposed to be the last chapter in the series, but judging from Harry Potter and the Deathly Hallows Part I (or Harry Potter #7.1), the split is highly unnecessary. Part I meanders after the events in The Half Blood Prince (Harry Potter #6) where a key character is killed and the three witchy heroes, the titular Harry (Daniel Radcliffe), smart and resourceful Hermione (Emma Watson) and near-pointless Ron (Rupert Grint) are off to find lost artefacts that could help them defeat the evil wizard Voldemort (Ralph Fiennes). Instead of hurrying on a quest full of adventure and thrill to save the world, the kids mope, quarrel and brood across gloomy wintery landscapes for almost the entire running time. Add gratuitous bloodletting for flavour.

I'm not sure if it was the original intention of the book to drag out events that transpired in Part I. Intended or not, it doesn't work onscreen. You don't do "character development" for the sake of doing it if the material is lacking punch (the good stuff all went to Part II, I heard), or that the young cast is not capable of handling the acting baggage (Part I devotes most of its time to melodramatic, talky scenes). Basically, they just didn't have enough interesting material for two movies to share. I also missed the whimsical tone and melodic score of past Potter movies. This darker, violent, gloomy, dull sequel just doesn't feel like a Harry Potter movie.

Regardless, you'll need to watch this anyway if you have been following the series up till now. Good luck to Part II.

Definitely not for newcomers.

Not cool: The amped up violence; one nude scene that felt a little inappropriate.

Saw it at: Golden Village Jurong Point, weekend morning show.

Cost: Free (courtesy of HSBC Reward Programme)

Review: Moon

If you like your science fiction smart, you can't go wrong with "Moon". In the near future, when mankind has depleted all sources of fuel and energy and put the world in turmoil, The Lunar Corporation concocts a brilliant solution - harvest the untapped source of Helium 3 from the surface of the moon. One brave astronaut miner Sam Bell (Sam Rockwell) has the unenviable task of running the mining facility all alone for three years straight. Not very cost effective to be shuttling back and forth Earth and the moon, you see. When his contract is about to expire, strange things start to happen. These events threaten to ruin his long-anticipated family reunion on Earth.

"Moon" borrows ideas from other science fiction stories, and doesn't really have anything groundbreaking to offer except that it is executed really well. It's also a great demonstration of what you could accomplish with just a $5 million budget and one really good actor. The entire movie is held up by Rockwell's central performance. If it were another actor of lesser talent, the whole movie would have faltered. Worth a watch.

Format: DVD, anamorphic widescreen.
Source: Rental (Arts Brother, Jurong Point 1 Level 3)

Experience: Home, 47-inch LCD with home theatre surround system
Cost: SGD $4

Review: The Detective

A good take on the well-worn detective genre, brought to you by the people behind the Hong Kong horror hit, "The Eye". Following very closely to formula, the movie starts off with an odd character named Lung (Shing Fui-On) who engages the help of private investigator Tam (Aaron Kwok) to find a mysterious woman named Sum, who may be trying to kill Lung. Typically, the P.I. follows a trail that leads to one dead body after another before the horrific truth is unveiled.

There is nothing much here that you couldn't find in another detective story, but the movie is visually intriguing, and entertains with the central relationship between Tam and his Thai police connection, played with great relish by prolific Hong Kong supporting actor Liu Kai-Chi. There's also a rogue's gallery of TVB familiars taking up various supporting roles.

Frankly, I'm surprised the whole endeavour holds up so well. The direct Cantonese translation of the title is "C-plus Detective", which is a word play on the Cantonese equivalent of "Private Investigator". The movie is easily a "B+". Recommended.

Format: DVD, looks like a 2.40:1 Anamorphic Widescreen.
Source: Belongs to my brother.
Experience: Home, 47-inch LCD with home theatre surround system
Cost: Apart from electricity and hardware depreciation, none.

Review: The Expendables

For those who are born after 1990, you may not be familiar with Sylvester Stallone, who was one of the action movie kings of the Eighties, along with Arnold Schwarzenegger, Bruce Willis, Van Damme, etc. Stallone was most famous for playing slow-witted pugilist Rocky Balboa in the Oscar-winning movie, Rocky, and its five sequels. His other famous role is John Rambo, whose name is now synonymous with reckless, gung-ho behaviours. You've probably seen this image somewhere before:

Quite a sight, huh? Believe it or not, at 64 years of age, he's actually BIGGER now. Anyway, one day he decides to make a movie called The Expendables, about the titular team of mercenaries who gets personal dealing with a South American dictator-cum-drug lord. This would be the one that would bring all his former competitors together in the same film, and lets them kick ass like they used to twenty years ago.

Think of it like the Justice League or the Ocean's Eleven of Pixar's Up. But it's not really that, because most of the big stars only guest appears, while the team of Expendables only consist of a balanced mix of old and young stars. Well, if you consider Jason Statham, Jet Li, "Stone Cold" Steve Austin and Randy Couture to be "young". You'd be sorely disappointed if you expected to see the action gods trade one-liners with each other while mowing down hordes of bad guys with submachine guns in unison. The movie is supposed to be a throwback to action movies of the Eighties, but it's not even that either, because of the frequent use of "shaky cam" that is uncharacteristic of those types of movies.

What we ended up having on the big screen is a fairly watchable, entertaining but unexpectedly goofy little movie, with more male-bonding awkwardness than there are badassery. You can find more badass moments in any single Tarantino movie. The movie it most resembles and reminded me of is The A-Team.

You can't blame poor Stallone for not trying. Apparently, making these sort of "ensemble" movies is really, really freakin' hard. Check out the stuff that went on behind the scenes here.

Rating: Average.

Saw it at: Golden Village Jurong Point, regular evening show.

Cost: SGD 10 (weekend rates) 

Review: Resident Evil (Part 1)

With a silly name like Resident Evil, it could not be anything else but the name of a Japanese video game. Ironically, the game is originally called "Biohazard" in Japan, which is significantly less silly. The game puts you in the roles of police officers investigating the source of a viral outbreak that turned the inhabitants of Raccoon City into reanimated corpses, also affectionately known as zombies. Armed with a vast array of modern weaponry, you explore a spooky mansion filled with a menagerie of zombies and strange creatures that escaped from the secret laboratory complex underneath the ground. The villain is a faceless global conglomerate known as the Umbrella Corporation, responsible for conducting illegal experiments that led to the outbreak.

The movie explores the same world but from the perspective of Umbrella employee Alice (Milla Jovovich), who lives in the aforementioned mansion. She is unconscious, alone and amnesiac when she first appears at the beginning of the outbreak. Circumstances forced her to join a group of mercenaries hired by Umbrella to investigate the sudden loss of communication from the secret laboratory. In tow are fellow amnesiac Spence (James Purefoy) who may be connected to Alice in some ways, and Matt (Ugly Betty's Eric Mabius), a cop looking for his sister who works in the lab. As with all "haunted house" movies, the assorted bunch of characters are stuck in the building, and must find a way to survive and escape the place. Most of them won't.

Like the game, Resident Evil is an amalgamation of horror, sci-fi and action that somehow works for me. Maybe it's the entertaining action/horror sequences, or Michelle Rodriguez wisecracking, or just Jovovich being such great eye candy. To her credit, Jovovich also brings some level of unexpected badassery to a female role that is always rare in movies. Like any good male action hero, she takes charge of bad situations, gets physically roughed up, and chambers a round in a shotgun like she means it. There are also some clever ideas to be found, like the way the character's amnesia is used to reveal key events.

You can say that Resident Evil is no different and no less sillier than movies like Clash of the Titans and The Mummy, except that its action sequences have a little more kick to it since the violence is not restrained by a family-friendly rating. Personally, I found it entertaining enough to rewatch numerous times on Blu-Ray. Others may wish to proceed cautiously, since enough critics have hated it.

Cautiously recommended!

The Blu-Ray: It's great to revisit the movie and find everything so sharp and detailed. I can finally read the small prints on the Red Queen cam. The disc also contains all of the special features from the special edition DVD, including the entertaining audio commentary by the cast. I didn't notice anything that is missing. The pop-up menu looks appropriately tech-y, but I've seen better. I'm no sound aficionado, but as long as there's some surround effects and strong bass for gunfire and explosions, I'm good.

The case is about as creative as any other Blu-Rays in the market, with nothing except the disc plus one promotional (and completely disposable) slip inside the case. Watch out for the spoiler-iffic picture at the back of the case.

Format: Blu-Ray, looks like 1.85:1 Anamorphic Widescreen (First viewing was in a cinema.)



Source: Purchased


Experience: Home, 47-inch LCD with 5.1 home theatre surround system

I like the Resident Evil movies. Does that mean my standards are poor?

It's not in the game: Gun-tottin' Milla Jovovich