This week's highlight: X-Men Origins: Wolverine!

Wolverine is arguably the most interesting and popular among the myriad of mutants that inhabit the world of X-men, despite having almost no significant offensive ability apart from his retractable and indestructible claws. His grizzled tough guy personality plays off to his team mates’ characters very well, but he rarely brings that magic to his comic book spin-offs when he becomes the centre of attention. Will the movie equivalent suffer the same fate? With the first cellulite appearance of Gambit, Tsotsi director Gavin Hood at the helm, and Liev Schreiber as Sabretooth reloaded, don’t count on it, bub. (Wait a minute, is that Cyclops in the poster?)

This week's highlight: Knowing!

Before you dismiss this one as just another one of Nicolas Cage's career disasters, Knowing is actually director Alex Proyas' latest movie, he of The Crow and Dark City fame. Coincidentally, Roger Ebert is one of the very few critics who lauded his new movie, just like what happened with Dark City before. I'll have to go with Ebert on this one, because I too agreed with him on Dark City. Could be the Speed Racer of 2009.

Alternative: chicks and fast cars in Fast and Furious (a.k.a. The Fast and the Furious 4.) I live my life a quarter of a mile at a time... (snicker)

This week's highlight: Gran Torino!

Clint Eastwood is 78 years old and still kicking ass. He's considered one of cinema's most iconic action stars, with memorable roles such as "The Man with No Name" in Sergio Leone's spaghetti westerns*, and the blueprint for endless reiteration of the movie rogue cop, Dirty Harry. Nowadays, he's more into directing and acting in his own work, and has created Oscar pedigrees like Unforgiven, Million Dollar Baby, Mystic River and The Changeling. Will Gran Torino be a reworking of Dirty Harry, like how Unforgiven was to his westerns? Nevertheless, it's just exciting to be able to see Eastwood sneering while wielding a gun in a movie poster again.

*There are only three with Eastwood: A Fistful of Dollars, For A Few Dollars More and The Good, The Bad and The Ugly.

This week's highlight: Dragonball Evolution!

I'd love to recommend Departures, the Japanese movie that won Best Foreign Picture, but you and I know that we're all going to watch Dragonball Evolution this week no matter what. Not because it's going to be good, but more like to appease that horrible human side of us that can't help but stare at traffic accident wreakages. I do sincerely hope that Dragonball turns out to be at least an okay, entertaining flick, but it's hard to keep the faith when there's a Caucasian Goku kamehameha-ing in a fake CG-heavy world, sidekicked by the handsomest rendition of Master Roshi in the history of the original manga.

Alternative: The X-men-esque psychic actioner Push.

This week's highlight: Watchmen!

Of all the Alan Moore movie adaptations (V for Vendetta, League of Extraordinary Gentlemen, From Hell), Watchmen is the only one that I've read its source material. Watchmen probably inspired The Incredibles, set in a similar world that once loved and now shuns its costumed crimefighters. The book oddly veers between cliche and brilliance that you wondered if Moore only had a few clever ideas and filled the gaps with the usual superhero melodrama. At least the clever parts do stick in your mind, and all of the characters are compelling and unforgettable. It'll be interesting to see what Zack Snyder's "slavish" adaptation is going to offer on top of what's already in the book. (Snyder directed 300 and Dawn of the Dead 2004.)