Review: A Battle of Wits (Muk gong)

State Wars
Set in China’s Warring States period, A Battle of Wits focuses on the small, city-state of Liang. Getting news of a massive Zhao army en route to Liang, the politicos of Liang, including the Liang King (Wang Zhiwen), his prince Liang Shi (Choi Si Won), adviser Si Tu (Wu Ma) and General Niu (Chin Siu-Hou) must decide to either defend their keep, or surrender to the enemy. Before General Niu manages to officiate their surrender with Zhao general Xiang Yanzhong (Ahn Sung-Kee), a special Zhao regiment has already reached the gates of Liang. Moments before, aid from Liang ally, the Mozi tribe, came in the form of Mozi brethren Ge Li (Andy Lau). Before you mock his name, I should warn you that the Mozi are known for their deft in strategic warfare, and Ge Li proves this by successfully repelling the Zhao regiment. His accomplishment earned widespread adulation, including those from the Liang prince and female soldier Yi Yue (Fan Bingbing), much to the chagrin of the jealous king. He suspects that Ge Li may try to usurp his throne, and plots to do away with the Mozi after the Zhao army has given up on invading Liang. Taiwanese star Nicky Wu plays the Chinese Legolas, Zi Tuan.

A Battle of Wits is another one of those “against all odds” movies like Lord of the Rings, Troy and 300, with a city of 4,000 up against an army of 100,000. Most of the fun in Battle is from observing how Ge Li overcomes wave after wave of attacks from the Zhao. Actually, Ge’s defensive maneuvers are more about brutality than strategy - employing many cheap, gruesome tactics like spike traps and fire pits to kill as many enemies as you can within the shortest amount of time. Although the Zhao army lost only a fraction of their men, the psychological impact is severe, demoralising Xiang’s troops who were supposed to be on their way to a bigger, more important battle up north. But Xiang himself is no idiot, and devised some sly maneuvers of his own. It’s interesting to note the Mozi’s inner conflict between the two key components of his religion - “universal love” and cold pragmatism. It’s his love for humanity and peace that brought him to Liang’s aid, but cruel logic dictates that in order for Liang to survive, Zhao soldiers must die.

Lovehkfilm.com’s Kozo described Ge Li as resembling a Jedi Knight. Apart from trudging about a sandy landscape in a brown, hooded robe, the Mozi is also very monk-like, keeps a short crop of hair, and abstains from material possessions and even a disrobing Fan Bingbing. You can say that his ability to outguess his opponent’s movements is a kind of Force power. The only thing missing is elegant sword skills and a lightsabre, though Ge is pretty wicked with a bow and a specially modified arrow.

My only gripe with the movie - the romantic subplot, which involves an improbable female soldier character in 5 B.C. China, who is porcelain-fair and pretty to boot. (Why couldn’t they just make her a Liang princess?) Admittedly, Fan Bingbing provides some much needed eye candy in a sea of grimy, ragged people that are the civilians of Liang. Either ways, it’s still leagues smarter and more entertaining than 300, and loses out to Troy only from a lack of star power (unless you see Fan, Wu and Super Junior member Choi as “stars”). It’s also better than the messily edited theatrical cut of Seven Swords. (I’m still waiting for the five-hour epic version, Mr. Tsui Hark.) Of course, in the biased eyes of this Rings fan, nothing beats Lord of the Rings. - BMF

VERDICT:





Written and directed by Jacob Cheung Chi Leung (Never Say Goodbye, Midnight Fly). Stars Andy Lau Tak-Wah, Wang Zhiwen, Fan Bingbing, Chin Siu-Hou, Choi Si Won, Ahn Sung-Kee, Wu Ma and Nicky Wu. Based on the novel Bokko by Sakemi Ken'ichi.

Missing out on the "Oscar" movies, part 2!

Original posting here.

The Oscar nominations were announced on 21 January (22 January here), and their selections for the Best Picture categories are Atonement, Juno, Michael Clayton, No Country for Old Men and There Will Be Blood. Total number of Best Pic nominess - five. Total number of Best Pic nominees that I've seen - zero.

Michael Clayton has been reduced to one show a day, at 9.30pm, so too bad, I can't possibly watch that anymore unless I'm willing to pay $2.50 extra and let it eat up my weekend. Not so looking forward to Atonement, and it isn't looking forward to me either, since it has placed itself in the weekday evening 6.30pm slot (impossible for me to make it). Both No Country For Old Men and Juno debut on Valentine's Day, while there are no news about There Will Be Blood's release date.

For the other Oscar nominees: I managed to catch Eastern Promises and American Gangster, and they didn't disappoint. The Assassination of Jesse James is showing only in the city and at odd times on weekday evenings; 5.35pm and 8.55pm, so I guess I'll have to pass. There's still a window of opportunity for 3:10 to Yuma, which has 6.50pm shows in the following week, provided my wife allows me to watch this and Rambo 4 on the same week. Elizabeth: The Golden Age has stopped screening (at GV, at least).

Ben Affleck's directorial debut, Gone Baby Gone was a critical favourite, and debuts on 31 January. I hope it lasts till after the Lunar New Year celebrations, during which The Big Movie Freak site and blog will be on a one-and-a-half-week hiatus. (I'll catch it as soon as I'm back.) I'll probably try to watch CJ7 in Malaysia during that time, and hope that it's not a censored version. The E.T. vibe of Stephen Chow's latest looks censor-friendly enough.

Maybe I should start taking my moniker more literally and watch only the blockbuster movies. Following up on these critically acclaimed movies has proven to be quite a chore! I mean, aren't movies supposed to be leisurely entertainment?

RIP Heath Ledger

Just only a week after Brad Renfro died from presumably an overdose, we have another actor fallen victim to drugs. It was pretty shocking news, because I was so looking forward to his take on the Joker in the upcoming Batman movie, The Dark Knight. Admittedly, I was also skeptical about his casting at the beginning.

I first noticed Ledger on the teen flick 10 Things I Hate About You, which was a teen version of The Taming of the Shrew, with Ledger playing the role of the tamer and Julia Stiles the shrew. He seemed quite fitted for these types of teen hunk role. But subsequent career choices (Monster's Ball, Ned Kelly, Candy) indicated that Ledger was trying to avoid typecasting. His greatest success finally came when he took the role of Ennis Del Mar in Ang Lee's highly acclaimed gay romance Brokeback Mountain.

Recently, Ledger was in another critically lauded movie, playing one of several interpretations of Bob Dylan (along with Cate Blanchette, Richard Gere, and Batman co-star Christian Bale) in Todd Hayne's I'm Not There.

He was easily one of the few rising young actors whose works were worth taking note of, but sadly we'll no longer be able to see what other exciting contributions to cinema this man was going to make.

Gerstmann-gate!

This is not a post about movies, but about the recent commotion regarding the firing of Jeff Gerstmann, revered former editor of Gamespot.com because he gave video game Kane and Lynch a thumbs down. Kane and Lynch producer, Eidos, was previously advertising the game on premium spots on the front page of Gamespot. You can sort of guess what went down.

I've been waiting for a while for somebody to put together an article about this, that compiles all the events that have transpired since Gerstmann's departure and maybe bring further clarity to the whole thing. Sam Kennedy from 1UP.com may have just done that with this posting on his 1UP blog. It's pretty substantive, up-to-date (it includes Alex Navarro's recent resignation) and also revealed what Gerstmann and former Gamespot founder Vince Broady are up to next.

Anyway, check it out if you care.

I Am Legend - Book and movie comparisons (Spoilers!)

(Warning! Spoilers ahead!)

Just finished reading I Am Legend. Looking at the thickness of the book, I thought it was a novel, but in fact it's a short story. The rest of the book is a compilation of other short stories by the author, Richard Matheson. I didn't know this until I finished reading the I Am Legend portion. Imagine my surprise when less than a quarter through the book, the story suddenly ended!

The big difference between the book and movie is not just that the original hero wasn't a black dude, but the book is really actually about vampires! Fear of garlic, crosses, sunlight, the works. The great thing is that the author uses scientific reasoning to explain how vampirism works, and why they feared the abovementioned objects, which at first glance seems a little illogical. The movie used very, very little of these stuff, but concentrated more on the "last man on Earth" concept. Also, I think it's probably the best and ultimate vampire story I've ever heard or read about. It makes Anne Rice look really stupid.

As for the ending, well, it's like those Twilight Zone kind of ending. It's not something stupid like I woke from a dream or he goes into the next dimension or something. Though a little shocking (and an ironic joke), it still makes perfect sense that it ended that way. But it's also very sad and depressing. Everybody seemed to like the book's original ending, but it might be too much for regular folks at the cinemas, because they'll be so disappointed at the outcome after all the hard work and sacrifice Robert Neville made.